Once in a blue moon I witness something that seriously deserves to be immortalised in a Great Photograph, the kind that should be displayed in a gallery, and featured on the front cover of a magazine, but none of the photographs described below will ever be seen except in my mind’s eye.
Firstly, there was the time I was coming into New York for the first time on the ferry, pre-9/11, and a red helicopter flew across from left to right, while a boat moved across from right to left. All I had was a disposable camera; it didn’t even begin to capture the sense of timing, as the helicopter and boat moved across and met in the centre of the perfect composition.
Then there was the time I was in Grenoble, having travelled up to the top by cable car; above the town, but below the viewing platform I was on, over to the right, stands a monumental sculpture made of great stone blocks resembling a staircase that gently curves round to the left. Behind it, the snow-covered mountains provide a majestic backdrop. This is already pretty impressive to behold, but what seized my imagination was when a family – father, mother, son and daughter came up to the sculpture, whereupon the father began to ascend the steps, hauling himself up the chest height blocks in sequence while his family looked on, until at length he had reached the pinnacle of the ascent. Triumphantly, he raised both hands aloft and looked down at his family below, framed by the magnificent mountain range. I was spellbound, hearing in imagination the whirr of the camera taking the series of shots from which the iconic image would be selected with a crayon circle on the contact sheet. This time, even though I had a ‘decent’ camera with me, I didn’t even bother to try capturing it on film. I knew it could never do justice to the scene. Besides, I didn’t want to miss a second. Meanwhile, my companions chattered on, oblivious of the drama that was unfolding right under their noses. I wanted to scream at them to use their eyes, but they wouldn’t have understood what I was getting agitated about.
Then there was the time things were getting a bit tasty out in the Middle East. I had arrived at work and over on the horizon in the middle distance, above the 1930′s semi’s, a peculiar cloud formation stood like a column. It was exactly like the plume of a nuclear bomb before the mushroom head forms. I had no camera, so there is nothing to show it ever happened.
I had no camera either, a few years back, when I was crossing the Holloway Road. A group of workmen were arranged on scaffolding, painting the end of a tall terrace of shops a deep red. The colour, the angle at which I viewed the scaffolding as I crossed the road, and the fact they were stripped to the waist in the heat made the whole scenario resemble a Russian Poster of the early 20th Century, or a French Impressionist painting. Every detail was exactly right.
I will never forget these scenes. Although they are lost forever, maybe if I had taken a photograph of them, that would have become in effect, the defining moment of the experience, whereas each occasion was a series of moments, loaded with feeling. The other parts might have been forgotten. I was taking some pictures of the sparrows outside my bedroom window last year, trying to shoot the best image. I soon gave up though, preferring instead to savour the moment with all its attendant excitement. To take really great pictures, I think you need to have a superb camera with the motivation and experience to get the best out of it. So, I will never be a great photographer, but my knowledge and appreciation of when I have seen a great photographic moment is informed by all the best work of the best photographers in the world. Thanks, guys.